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jazz, America's Classical Music, is arguably the greatest cultural invention produced by the United States. It is enjoyed by listeners worldwide in bars, clubs, and concert halls. It has endured a century of turmoil and has overcome the legacy of segregation

Jazz Yatra

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Jazz is arguably the most argumentative form of music (even has diminished and argumented chords). So at the outset let me present my side of the argument. Jazz is musical improvisation, right? Indian classical music is improvisation, still right? Granted Indian music does not have the harmonies of the west. But the keyword here is improvisation and not harmony, absolutely right? Indian classical music has been around for more than two thousand years. The Americans discovered Jazz less than a hundred years ago. Right then, now that we have established India as the birth place of Jazz lets head for the Indian Jazz Yatra.

Surfacing on day one are the cats (kangaroos?) from down under. Jamie Oehlers Quintet and the Perth Jazz Orchestra. Jamie opens. Good band. Great Jazz. Jamie and the boys are jammin' alright. On to act two which is...ahem, an extended remix of act one. Jamie and the boys brought their buddies along to form the Perth Jazz Orchestra! It's always a thrill hearing the powerful and dynamic sounds of a big band. Reminds me about what teamwork is all about. Each and every member looked really happy to be a small part of the big picture. Standing out and upfront with the big band was vocalist Mark Underwood with a rich and velvety voice that reached out and caressed the audience. Very enjoyable evening. Good start for Jazz Yatra. Met up with lots of old and new friends all sharing a common love for music being created live. Day one was the Aussies night out. Pity we didn't get to hear their musical instrument called didgeridoo or didgerididnt or something.

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Day two features Jazz Yatra's trump card. Trumpet player Dave Douglas from the U.S. of A. Voted as worlds best trumpet player by readers of Downbeat magazine and Archie comics. Satya led by Dave settles down on stage, I mean sits down on stage. Just then heaven walks past me in her tiniest black number. Tosses her tresses and glances in my direction. Music begins. Band hasn't begun. Chaos. Band begins. Wrench myself back to earth. Satya's seated in a neat semi circle. Myra cross legged on harmonium. Dave cross eyed on trumpet. Samir and Sanghamitra cross country on tabla and tanpura respectively. Dave looks like a snake charmer about to charm a snake right out of Samirs tabla. Band's playing. Music flows. Sounds charming indeed. I notice a lot of snakes in the audience slowly rise and slither towards the canteen hip flasks in hand. Crowd's getting restless, collective murmurs, customary grunts and some oinks of disapproval about the raags being given to us by Satya...nass. Rang Bhavan is under threat of being converted into a huge open air Just not Jazz by the bay! Mr. Compere comes up and requests the crowds to stop disturbing the performers. I'm tempted to yell back, 'the performers are disturbing us'. The trumpet player may be hot but it's the batatawadas (hot, spicy Indian snack) that are smokin' right now. So I get up and head for the snakes, I mean snacks, at the canteen located next to the loo! And I'm not talking about the loo as in the Louies wife. Okay I'm back. I don't quit so easily. And guess what? Half the band is joined by three other musicians to form Myra Melfords 'Same River Twice'! I'm slowly beginning to understand the mathematics of music. Things are getting interesting at Jazz Yatra. The river flows. This band is wild. Making avant garde efforts to push back the boundaries of Jazz. Pianist Myra's brilliant and definitely an inspiring band leader. Dave is beginning to sound like he has earned his votes. The Jap chap playing bass seems to be getting more out of his headless and fretless bass

.

Day three opens with Harsha Makalande on solo 'Hamburg Steinway piano tuned by Mr. Mistry' as Mr. Compere kept announcing a little more often than the necessary sponsor plug. Anyway, Harsha sounds like he is rehearsing for his next big solo performance. He probably feels that way too since there's just a handful of Jazz enthusiasts present in their respective seats at 7.00 PM sharp. Then came the Vijay Iyer Quartet. Now here is a brilliant group of musicians, each a virtuoso in his own right, with strings of academical achievement behind their music. I could almost smell the textbooks from where it all came. This is great Jazz. The musicians on stage are incredibly tuned into each other. They have obviously been playing together for a long time or may be they can read each others minds or perhaps they read each others textbooks. Then again, it could just be the simple fact that they wear each others T-Shirts. Great performance. Good show. Brilliant musicianship. But for some reason the quartet doesn't really make me want to stand on my chair and yell 'yebdiyow'. At one point though, in the middle of the bass solo I did feel like getting up and waltzing into heaven seated just two rows ahead. Unfortunately the tune was in five and a half time. This would certainly complicate things in the ballroom department of dance. Whats next ? Oh yes. Its Malcolm Mc'Neil, from New Zealand and you better believe this, he is being backed by Jamie and the Jammers from day one. Now Mally looked a little bewildered on stage. He was probably wondering what the heck is he doing on stage at an international Jazz festival when he should have been safely tucked into a cosy nightclub at some swanky five star hotel in New Zealand. He did put up a spirited performance however, and considering he found out who his back up band was only the night before showtime, he did exceptionally well. In fact I even overheard a couple of women expressing their intense desire to hug him as he sang, 'have I told you lately'.

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Time for the grand finale featuring petite Louisa Cottifogli backed by the Louis Banks trio and act two featuring the big surprise, world renowned clarinet player Eddie Daniels and wife Mirabai who seems to be on her way to nirvana via the Indian Yatra. You've guessed right, the couples going to be backed by the Louis Banks trio. I guess India has yet to produce another rhythm section as awesome as Louis Banks, Karl Peters and Ranjit Barot. Little Louisa kicks off the grand finale with 'Vande Mataram'. Great. This little Italian has really got us Indians by the balls. Then she proceeds to twist them around miming vocalists from different parts of the world. I almost forgot what an Italian singer sounds like. Now comes the sucker punch, she goes and does a Dave Douglas on us (she starts miming a trumpet). And finally virtuoso clarinet player Eddie Daniels takes the stage with the tireless trio. Scorching solos. Dazzling display of musicianship and improvisational skills. Wifey joins the party. And promptly starts cookin'. Reminds me of our own version of an American Jazz singer, the ageless Pam Crain. A few exciting tunes down the show, differences seemed to creep in onstage. Differences probably musical, financial, political or some other ill seemed to crop up in broad spotlight. Differences at Jazz by the bay is war. Differences at an international platform like the Jazz Yatra is world war. And so finally the curtains came down on the world war, sorry, Jazz Yatra. The bottom line is, the boys at Jazz India did make it happen against all odds. Even if the batatawadas and babes were far more happening than the bands.

Colin D'Cruz

About The Author

The author is a jazz bassplayer currently based in India. Review some of his bands at http://www.hullocheck.com

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Free, Legal Music Online

Almost everyone has heard about the massive crack down on Internet music piracy that has been occurring over the past few years. Napster was taken down (although it has now returned as a pay service), other file sharing programs now require users to pay for a license and the RIAA and other similar organizations are doing their best to hunt down copyright offenders and put an end to their crime sprees. The consumers on the other hand argue that their actions hurt nobody, that there is no damage done to anyone by their not buying an album. Furthermore, they claim, MP3s allow them to sample a CD before purchasing it, thus actually helping sales.

I'm not here to argue the pros and cons. Basically it's not worth it, as neither side of the argument will ever see the opposition's point of view. What I'd like to do is take a look at the completely free and legal alternative to 'stealing' music. Those wonderfully talented musicians who are willing to put their creations online to download for free, solely for the joy of spreading their creations to the masses.

Free music is surprisingly easy to come by, even music by famous bands. Sometimes it needs to be 'streamed' from the Internet, meaning that you can only listen to a song while you're online, but with the ever-growing popularity of broadband Internet this is really no longer a problem. Sites such as MP3.com and purevolume.com provide free music by almost any band you can think of, although there is a large amount of it that has to be streamed and not downloaded. A search for 'free legal MP3 downloads' will reveal a huge number of pages to visit.

For something specific, try visiting the artist's website, or the site of their record label. These will often offer a few sample tracks to download for free. It's not quite as convenient as having access to every song that you want, but it's not a bad alternative.

But how about we forget about the mainstream for just a while and move towards the alternative? Towards the hopefuls, the talented bands that have yet been 'noticed'. There are a huge number of these smaller bands out there that are sticking their stuff online for any and all to listen to, just so that they can be heard. These can be easier to find, because most MP3 sites will be filled with these smaller acts. A great place to start is http://www.garageband.com/ or the aforementioned http://purevolume.com

The great thing about smaller bands is that you can often find bands that come from your local area and then go and see them play live. Being able to see a favourite band live more than once a year (or lifetime) without expending huge amounts of money and time is pretty cool. Many music search engines will let you search for bands of a particular genre in a particular area, which makes it all quite easy.

A fairly major contributor to the online music scene is the remixer. These people take other tunes and redo them, usually in a techno style because one person can do this competently. Chief among the tunes selected to be remixed are those old ditties that used to play through the simplest of sound chips on aging consoles: the video game theme songs. People now go and grab the main tune line from an old favourite and fill it out, making real the work our imaginations used to do for us to turn the single tone melodies into orchestral masterpieces. A few good places to start are http://remix.kwed.org and http://remix.overclocked.org as well as a personal favourite band http://machinaesupremacy.com

I hope this has given you something to think about. It's not hard to come across illegal MP3 rips, in fact it's often hard to avoid them, but if you give the free music scene a look you may find something completely different and new that will really do it for you. With web hosts already being penalized hugely for illegal content being stored on their servers (having an entire server taken down because of one inconsiderate user is damaging and irritating beyond belief) and moves being made to charge ISPs for the content being accessed by their users, it makes more sense than ever to get out there and grab yourself an awesomely original and completely legal music collection.

About the author:
Daniel Punch
M6.Net Web Hosting
http://www.m6.net

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7 Tips for Effective Musical Practice

The quality of your practice is much more important than the quantity. The old saying "practice makes perfect" is only true if the practice itself is perfect. Here are 7 tips to help make your practice more effective and efficient.

Practice motions slowly

The muscular memory of our bodies allows us to physically carry out patterns of motion with little or no conscious involvement. Examples of muscular memory include walking, riding a bicycle, typing, and of course playing a musical instrument.

In order to develop this memory, the muscles require training in the form of repeated conscious guidance from the mind. First the mind must learn the pattern. Then the mind must "teach" the pattern to the muscles.

The mind initially must control all the motions of the muscles. The more controlled and precise the motions, the more quickly the muscles will develop muscle memory.

Slow practice also allows the mind to teach "antagonistic muscles" to relax. Antagonistic muscles are those that move in opposite directions. By relaxing antagonistic muscles you can reduce tension and facilitate faster and easier performance and avoid potential injury.

Practice in small cells

A "practice cell" is simply a finite series of motions. Musical cells can correspond to anything from a few notes to an entire work. When practicing, it is important to practice small cells of just a few notes. Practicing small cells limits the amount of information the muscles have to learn at one time. It also facilitates the mind's focus and concentration.

Link the end of one cell to the beginning of the next

To help the muscles develop a sense of continuum throughout the piece of music, the last motion in a cell should be the first motion of the following cell.

Practice each cell in bursts

Once the muscles have learned a pattern, they will be capable of executing it without conscious control. Initiate the pattern through a conscious command and allow the muscles to execute it in a burst.

Don't practice mistakes

For every repetition required to learn a pattern of motion, it takes 7 times the number of repetitions to change the pattern. If in the course of your practice you make an error, stop. Review in your mind the pattern. And further reduce the speed of your motions.

Pause between repetitions

When dealing with repetitive activities, the mind is better able to focus when the repetitions are broken up by short pauses. After two or three repetitions, pause for about 30 seconds to regain focus.

Take frequent breaks and don't "over-practice"

B.F. Skinner and other experts have found that the mind's ability to learn drops significantly after prolonged intense concentration. Research shows that studying too long (i.e. more than four hours) can deplete chemicals in the brain necessary for learning. Therefore, it is best to take frequent breaks (a 5 minute break about every 20-25 minutes) and practice no more than 4 hours consecutively.

By applying these techniques, you can dramatically improve the quality of your practice. You'll be able to use your time more efficiently and increase the effectiveness of your practice.

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Reliving The Music Of The Seventies

 

We all associate songs and music with events in our life. Many songs hold special memories for us. We fondly remember the songs that were playing when we went to our first dance, the songs the school band attempted to play during half time at the high school football games, the songs that we heard on our first date, or the songs we heard on the radio while driving our first car.

The music of the 1970’s is probably the most impressive and most recognized of any era. The artists of the 1970’s provided us with numerous songs we loved to dance to and sing along with. At that time most bands actually played their own instruments and didn’t need to sequence part of it.

Remember how we used to listen to the music then? At first we had eight track players in our cars, then we moved upward to cassette players. Vinyl records were the most popular way to listen to our favorite music. Every week you could go to your local variety or record store and pick up the new #1 song on a 45 record for under $1.00. Of course, there was always the radio to listen to - most of the popular channels were on am radio. We had many styles of music to listen to, including the bubble gum music of David Cassidy and the Partridge Family, soft rock of Barry Manilow, the great dance tunes of the Bee Gees and the Commodores, rock of Aerosmith and Led Zeppelin, the brass band sounds of Chicago, or the disco beat of Chic and Donna Summers.

The nostalgia of the 1970’s music lives on today. We can listen to it on our local 70's’radio station, on cds, on mp3, download it on our computer, and burn it onto cds. For those of us who prefer records, we can still purchase them at record stores, antique or second hand stores, or yard sales. Of course, many of us have held on to our own record collections and record players and can pull them out at any time when we need to relive those nostalgic days of the 1970’s. Some bands are still performing after more than 30 years. There’s nothing like seeing your favorite 1970’s performers live in concert!

The music of the 1970’s is still popular with people of all ages – not just those who grew up with it. It never grows old. It only gets better with each passing decade.

About the author:
Published by: Wendy Yeager
http://www.wenmarcorp.com/music

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The Record Industry Continues Battle Against Free Music Downloads

Movie and record producers alike are saying file-sharing networks that permit its users the ability to make copies from other network member’s computers are infringing on the copyright laws and costing billions of dollars in lost revenue.

The recording industry claims to have lost 25% of it’s revenues since computer, so called thieves, have been using peer-to-peer file-sharing networks to obtain free music downloads.

The two latest file-sharing companies to be targeted by these copyright lawsuits are Grokster Ltd, known for its Grokster file-sharing software and StreamCast Networks Inc. from which the Morpheus free music downloading software is distributed.

Unlike Napster, Grokster and Morpheus put a spin on the popular file-sharing phenomenon. Instead of indexing the shared files like Napster did, these file-sharing products enables it’s network members to build their own indexes – thus allowing others within the network to download free music and movie files.

While some musicians are protesting they are being cheated by these illegal free music downloads – others are speaking out backing how music, movies, pictures and copy are being shared over the Internet.

Some music lovers actually use the file-sharing networks to check out an artists latest release before paying up to $18 for a CD that may only have one good song on it. You still will have those that will never make a purchase and continue to take advantage of the free music download networks.

Many file-sharing network users have said that using these networks is good for the music industry. File-sharing can bring listeners to smaller, independent bands that they may not otherwise hear on radio or in the mainstream.

With the likes of Apple’s iTunes store many have turned their backs on file-sharing networks paying 99 cents per song – Apple claims to sell more than 1 millions songs everyday. Although iTunes is limited still, thus giving file sharing networks a void to fill the unlimited access to music and movies that may otherwise not be able from iTunes.

In late 2003 record companies started suing individuals that were downloading free music. With file-sharing networks like Grokster and Morpheus it will be much harder for the recording industry to track down files that are uploaded by individual users.

With the Supreme Court now involved they are expected to make some type of ruling in June 2005 on what if any action should be taken against the makers of file-sharing network software.

The wrong decision could discourage the future development of products like the iPod or other file-sharing software programs that could be used for legal purposes.

Since Grokster and Morpheus do not monitor or have any knowledge of who or what is being downloaded, a federal judge in Los Angeles and the U.S. 9th Circuit Court of Appeals rejected the copyright infringement charges against both these file-sharing networks.

Based on the 1984 ruling of the Supreme Court that stated the use of Sony Betamax, which allowed users to make copies at home of copyrighted TV programs, was legal.

The recording industries angle last week was that the approach companies like Grokster and Morpheus are making by advertising their software will provide access to free copies of copyrighted materials should allow them to be sued and shut down.

While the jury may be out on this one for sometime – file sharing networks and free music downloads will continue with most users not really worrying about getting sued, since most do not download free music in excess of a few files per month.

Copyright 2005 - Tim Somers, 3G Enterprises, LLC

About the author:
MusicHoncho.com
Your Leader for free music downloads, MP3s, CDs, Music Movies and Electronics and many other music related products and services.
http://www.musichoncho.com

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